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  • EXHIBIT REVIEW: Raffy T. Napay's Sanctuary

    2:45 AM

    2:45 AM






    EXHIBIT REVIEW: LOOB by Renato Habulan and Alfredo Esquillo

    1:48 AM

    Renato Habulan and Alfredo Esquillo were like locals as they talked about their interesting world of Loob. The Loob exhibit centers on...

    1:48 AM




    Renato Habulan and Alfredo Esquillo were like locals as they talked about their interesting world of Loob. The Loob exhibit centers on the context of the folk religious emanating from the streets of Quiapo. This has been a long overdue sequel to the primary reflections made by the duo in National University of Singapore Museum in 2012-2013.

    Mga Boses ni Alfredo Esquillo
    Renato Habulan and Alfredo Esquillo


    Potensiya Series
    Loob Exhibit

    The indwelling of the artists with loob borders on the nucleus of the soul and the inner nature of the heart. The flesh with which they hinge on is a rather satisfying instrument of their faith. Religion is a painstakingly vulnerable thing. It may lead you to self-donation or self-absorption according to John Haughey. It may well as be considered salvation or damnation.
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    THE CURATOUR

    THE CURATOUR

    About me

    The brains behind Curatour is someone in need of something to spend her time with. Johanna is currently finishing her degree in Art Management. Hence, this is an art blog, dedicated to reviewing art exhibits, showcasing street art and basically displaying everything aesthetically visual in Manila.

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      EXHIBIT REVIEW: Raffy T. Napay's Sanctuary
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      EXHIBIT REVIEW: LOOB by Renato Habulan and Alfredo Esquillo
      Renato Habulan and Alfredo Esquillo were like locals as they talked about their interesting world of Loob. The Loob exhibit centers on...
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        • EXHIBIT REVIEW: Raffy T. Napay's Sanctuary
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      EXHIBIT REVIEW: Raffy T. Napay's Sanctuary EXHIBIT REVIEW: Raffy T. Napay's Sanctuary
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      EXHIBIT REVIEW: Ateneo Art Awards 2015 EXHIBIT REVIEW: Ateneo Art Awards 2015
      EXHIBIT REVIEW: Charles Buenconsejo's Relative Nothing EXHIBIT REVIEW: Charles Buenconsejo's Relative Nothing
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      IN SITU: MET Renaissance IN SITU: MET Renaissance
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