MUSINGS: Artist Statement
11:54 PMOpposing Friction As an aspiring curator, I construct my daily life with doses of narratives, texts that will integrate what I visually p...
11:54 PM
Opposing Friction
As an aspiring curator, I construct my
daily life with doses of narratives, texts that will integrate what I visually
perceive. I try to make connections out of everything I see hoping that someday
it will weave into a beautiful truth. I make associations and I write them
down. Essentially, I translate visual into writing and translate writing into
visual. I make stories out of beautiful, curated pieces. You can see this in my
imagined exhibits that hopefully I can turn into a reality. In turn, I create
projects grounded with a certain truth from novels I’ve read, verses I’ve seen
and quotes I liked. They say the human being is always already caught up in
language. (Virno) We are born into it, trapped by it but is always transcended
by it. By being in language, we can imagine things far beyond what we can
experience (l’imagination au pouvoir). For me, it is the best kind of medium.
Nowadays, we are all bombarded with
different kinds of information and visual overload. The demarcation between
what is ugly and beautiful inevitably blurs. Everything becomes relative and is
downsized to what is acceptable. I believe that we can still draw out
inevitable meanings into our visual projects, deeper than what Raunig, Ray and
Wuggenig’s initial approach on the creative as an engineer of entertainment.
I can identify myself with the
contemporary times, a mixture of new media and even newer ideologies but are
all in part of an invention created long before. Kevin Moore has once said that
a museum/art curator is equal parts communicative and political. Communication
plays a big role in this field I choose because we relay significance of the
past and the future. Oftentimes, some forget to live in the present having been
engrained into preserving materials and ideas from way back. The political part
comes from taking sides, having to hold or preserve a certain side to a story.
I wish to be in the present, a certain bearer of a facet of truth we can only
hope to see in current times. I think it is our responsibility to educate and
to expose people to the beautiful and the not so beautiful parts of life. While
I do not hold sides, I aim to create an established name that is known for
integrity and virtue.
I guess in part, we are all storytellers
about a bigger truth only ourselves can see. We do want to share it somehow
with a thin line of belief that by telling, we are contributing to a start of a
new perception, the desire to develop it. It is in our very core, it is in our
very bodies, the force to develop the world and be one with it. (Raunig, Ray
and Wuggenig)
That is why I strive hard to create
and/or accept projects that I believe would be a contribution to a community. I
do not want to be perceived as the artist who is more focused on revealing and
expressing herself but rather I am more inclined to creating projects/exhibits
that are manifestations of a truth, whether it be a beautiful or an ugly one.
Only then can we do our job to develop or perpetrate it.